False Endings
Diverse Interests
Trouble Sleeping
Obsessors, Be Anonymous No More
Redrum! Redrum!
Wish You Were Here
1,000 Hugs from 10,000 Lightning Bugs
Electric Days and Acoustic Nights: Flight of the Conchords Edition
Electric Days and Acoustic Nights
Mid-Week Mix-ed Bag
- I love that Discovery Channel commercial as much as I hate Nickelback.
- I had a dream the other night where Woody Allen was The Riddler. But I think he was an impostor. Because Elvis Costello was also The Riddler...
- Apparently everyone on the 2 Dundas starts at the same time as me on Wednesdays. So congrats, 10:30am Wednesday class. You're On Notice. I was waiting for 25 minutes for the bus. Like, three "full" buses passed me. And by the time I got picked up at 10:30 there were like 30 people waiting at my stop. Trust me, it had nothing to do with the sudden snow squalls. This happens every Wednesday.
- KH and I have decided to start a socio-political literary/arts magazine. More on that later.
Backwards, into a wall of fire
Music is my safe drive home
Nicole, Peter and Evan Pull an Unnecessary All-Nighter
It's all over now, baby blue
The Do-It-Yourself Music Industry
Don Ross a guest speaker at Fanshawe? Good thing I had my trusty 2 Dundas bus schedule in my purse to take notes on! Hello A&E Journalism found story.
In the past few years, it has become apparent that the internet may be indie music’s best friend. Big mainstream record labels are great, with their contracts, marketing resources, and high-tech studios. But perfecting the fine art of self-promotion and -engineering is the smartest thing that any performer or writer can do during this age of technological obsession. I mean, come on. Don Ross is doing it.
I think for many people, the term “indie music” conjures up the sounds of folk-like plinking guitar melodies or soaring synth and keyboard lines played by 20-somethings in skinny jeans, skinny sweaters and skinny t-shirts in neon colours.
With so many unique artists classified under the indie umbrella, the way most people think of indie music just doesn’t work. The genre is indefinable now. The term “indie” is simply shorthand for “independent,” and refers to an artist or group not signed to a major label, regardless of musical style.
How does 48-year-old Don Ross fit into this? Wearing a plain black t-shirt and jeans, the Canadian fingerstyle guitarist gave an interview and performed three songs at
According to Ross, there has never been a better time to be an indie artist. All you need is YouTube, a MacBook Pro with Pro Tools, and a garage. Or at least that’s what he uses.
Downloading music for free from file sharing sites has become very popular and, rather than fighting the seemingly unstoppable trend, artists need to make the system work for them. Yes, it’s a shame that so many people are less willing to pay for music now, but at the very least the downloading provides exposure. Here’s where self-promotion through YouTube comes in.
I love YouTube. It’s one of the things I miss most when I return home to dial-up internet. If people can hear an artist’s music and see an artist’s unique style on YouTube, then the hope is that it will help that artist build a fan base. Since it’s so easy to acquire music now, Ross says that live shows are the new Holy Grail of the music industry. It was once records. You use the internet to draw people in, get them buying tickets to your shows and, if you’re lucky, buying albums while they’re there!
In the past year I’ve been privileged enough to see Bob Dylan in concert from the fifth row, and see The Spades, a young band from my home region, open for Matthew Good at the legendary Massey Hall. Live shows are an undeniably unparalleled experience, and there’s always the possibility that the unknown opening band will become a new favourite.
Back to YouTube, 29-year-old American fingerstyle guitarist Andy McKee, Candyrat artist and friend to Ross, is a perfect example of its power. Two years ago, McKee’s video for “Drifting” was featured on the site and has since been viewed almost 18 million times. Sure, it’s no 26.3 million views in four months of Coldplay’s “Viva La Vida,” but I’d say that’s pretty good for an alternative indie artist!
The other big way artists set themselves apart from the masses and take control of their music is through self-engineering. Here’s where that MacBook Pro you insisted you needed and your family’s unused garage come in.
Ross says the key to engineering your own music is having a good ear. For all you artists graced with natural musical talent willing to put in the extra time, it’s a great alternative to paying techies to do it for you. While fancy, expensive programs and equipment are helpful, if you have the musical and technical skills you can produce fairly high quality material with less extravagant equipment.
If I was an indie musician, I would probably be thinking, “That sounds pretty good, but are there any other benefits? I am, after all, a young starving artist with ever dwindling support from the Canadian government.”
Good news. In addition to having more creative control over your work, you can save money! And in these times of financial crisis I think that’s something we can all high-five over. Saving money is a staple of DIY projects and YouTube is, at least for now, free to use.
Do yourselves a favour, indie artists. Take advantage of technology and the wonders of a DIY music industry. And do everyone else a favour by providing videos with artistic merit so we aren’t stuck watching clips of people’s cats and 10-year-olds singing “I Kissed a Girl and I Liked It.”
Truly the Holiday Season
And then Depeche Mode cried
Vatican wishes White Album 'Happy 40th'
From the Globe and Mail yesterday:
The Vatican's newspaper has finally forgiven John Lennon for declaring that the Beatles were more famous than Jesus Christ, calling the remark a “boast” by a young man grappling with sudden fame.
The comment by Lennon to a London newspaper in 1966 infuriated Christians, particularly in the United States, some of whom burned Beatles' albums in huge pyres.
Disney, you slut! You genius, genius slut...
Love or hate the Walt Disney Company, you must at least acknowledge its incredible, albeit frightening, influence and adaptability. It can be a business genius, moving its pawns about with a maniacal laugh. Or it can be a whore on the corner who will do anything to turn a trick (or rather, an illusion).
It was recently brought to my attention that to accompany the "Anniversary" or "Platinum" editions of its classic animated films, Disney has gotten its teeny-bopper arsenal of musicians to record covers and music videos of famous songs from the films. I believe "blasphemy" is the word you want. Ah, but wait! This whore of a marketing scheme is undeniably genius, no matter how cringe-worthy it feels. In doing this, Disney is further cementing itself as a key figure in children's understanding of history, society and culture by bringing old songs and films to the new generation.
THE OFFENDERS
Watch. Be horrified. Try not to get sucked in.
The Jungle Book
I Wan'na Be Like You - The Jonas Brothers
The Little Mermaid
Kiss The Girl - Ashley Tisdale I don't think cheek counts
Poor Unfortunate Souls - The Jonas Brothers
101 Dalmatians
Cruella De Vil - Selena Gomez This may be the worst
Sleeping Beauty
Once Upon A Dream - Emily Osment
…Plus there are some promises of "All new songs and music videos… And much more!"
Pardon the bias. I'm currently writing a research essay on colonialism in Pocahontas and The Jungle Book. I am NOT enjoying it. I've probably seen Pocahontas once before and I'm adamant about not liking it. I think the songs are sub-par. But I have been finding it quite hilarious. Of course, not the parts that are supposed to be funny if you're taking the movie seriously. It also might be the only Disney movie where the main characters don't get together (or stay together) at the end of the movie. Pochy stands on mini Pride Rock as leaves swirl Cinderella-style down to Smith's ship where he waves at her the way the natives wave to say goodbye. Nothing short of epic, but a seemingly unprecedented finale in these princess love extravaganzas.
From Barack to Bob
This may be the most historically epic week I have ever experienced.
Last Tuesday I stood in my campus restaurant and bar The Wave with 350 of my fellow students and watched Barack Obama become the 44th President of the United States.
Tonight I stood in the fifth row at the John Labatt Centre with Sam, Stuart, and Ted and watched Bob Dylan perform.
I am overwhelmed by this sudden onslaught of amazing.
The average age at the concert was probably 45-50. The rows on the floor were close together and went right up to the stage so we were really close. Dylan was on tonight. He was smiling, laughing, kicking his feet and wiggling his shoulders around. Lots of glorious harmonica and he played guitar in one song, something he rarely does anymore. After a thank-you he even joked with the crowd while introducing his band at the end of the show. "Am I unintelligible? C'mon, be honest!"

SETLIST
Cat's In The Well
Love Minus Zero/No Limit
The Levee's Gonna Break
Spirit On The Water
Stuck Inside of Mobile With The Memphis Blues Again
Masters of War
I'll Be Your Baby Tonight
John Brown
Beyond The Horizon
Highway 61 Revisited
Shooting Star
It's Alright, Ma (I'm Only Bleeding)
Under The Red Sky
Thunder On The Mountain
Ain't Talkin'
Like A Rolling Stone
All Along The Watchtower
I love you Bob Dylan.