Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

False Endings

As some of you may know, I'm finally reading The Hobbit. Before taking on this surprisingly tedious endeavour (I really should have read it approximately 15 years ago), I was reading Killing Yourself to Live by Chuck Klosterman. As I read this book a few months ago, I was listening to Metric's album Synthetica for the first time. Just as the album ended I realized I had come to the end of a chapter. This seemed a very minor coincidence in timing and did not register as more than a brief realization until I turned the page and quickly learned that the silence in my headphones signified the end of the book despite the collection of unread pages still remaining before the back cover.

I'm going back to tell this anecdote because I heard on the radio that this week is Pet Peeve Week. When people or situations that right now I couldn't actually reference require me to state a pet peeve, I can usually only think of one standby: when people say "seen" instead of "saw," but that's not really a pet peeve - I absolutely hate when people make that mistake. It insults me to my very core. Truthfully, I don't think I have any pet peeves because for me that term isn't a strong enough representation of how I feel about such scenarios. I'm either indifferent toward something (which is rare) or very passionate (or at least very passionately vocal) about something. A false ending in a book falls into the latter category.

A false ending is when the extras at the end of a book trick you into believing there is still more of the actual story to be enjoyed when you've reached the book's true ending. These extras include, but are not limited to, appendices or indexes, and excerpts from other books by the same author or publisher. The deception is not one I take lightly and it leaves an indelible mark on my otherwise enjoyable experience of the book.

On the surface, my anger toward these endings does center on the deception - the feeling of being duped - but I think the greater issue is the lack of closure that is created. Reading a book is an emotional investment, and we subconsciously prepare for the end. We feel the story arc winding down, the necessary loose ends are tied, the right amount of answers are left unknown so we feel the lives of the characters continue long after we return the book to the shelf, and we get ready to say goodbye. The promise made by the those extra pages gives us hope for just a little bit more before the end. Maybe there will be a epilogue. But then, when the end comes earlier than you anticipated, you are deprived of experiencing the true closure of the story.

I like to be prepared, and I like to be in control. When I read a book, I want to be surprised and moved by what the author has written, not by the book's tricky construction. An apocalypse, I should think, would bring about similar issues of closure. We would prepare for the end, but then suddenly find ourselves needing to cope with a post-apocalyptic existence that we assumed was merely a distant hope (or fear). Thinking about life beyond the end is a slippery slope but, alas, there's still something to be said for always being prepared...

Diverse Interests

As much as websites recommending things to me creeps me out, I do at least find enjoyment in the results. I went on YouTube the other day to find a music video and I'd like to share with you what I found. I'm going to preface this by mentioning that I think I have a diverse range of interests, and it seems YouTube has keenly noticed this. For me, all the recommended videos are about these three topics:

1. Lady Gaga
2. Mud trucks/off-roading
3. Ted Bundy

Thanks, YouTube.

Trouble Sleeping

Sleep has been a challenge for the past several days. I don't appreciate this.

Every night I go to sleep with the intent of waking up at a self-proclaimed "decent time" to get ready and do some work before class. But every night I lie in bed for hours, unable to fall asleep. I could go to bed at 11, 12, 1, 2, 3... The time doesn't seem to make a difference. My mind is suddenly filled with ideas: what to write for my humour journal, what to write my persuasive speech on, what to wear the next day, what shoes to wear to Formal on Thursday, what I'm going to do in a month. When I finally do fall asleep, I wake up multiple times before forcing myself awake in the morning with no energy for the day ahead.

This is nothing new for me. Unfortunately, I've had trouble sleeping since high school. It comes and goes. Perhaps I'm more stressed about finishing school than I was allowing myself to believe. I'm so excited for a (much needed) change and to actually start my life, so I've been trying to concentrate on that instead of the scary parts. In light of my new wave of insomnia, it seems that plan was only partially successful. You win this time, subconscious.

When you try you best but you don't succeed
When you get what you want, but not what you need
When you feel so tired but you can't sleep
Stuck in reverse
- Coldplay, "Fix You"

Obsessors, Be Anonymous No More

I'm going to come out and say it: My name is Nicole and I'm an obsessoholic.

Obsessions have been a topic of discussion in a couple of my classes this week. When it comes to obsessing, there are conflicting opinions on how healthy and productive the practice is in our real lives (as opposed to the lives lived in the safety of our own minds).

In my Popular Music and Gender class we talked about how obsessions factor into music fandom. It's highly feminized and generally associated with deviancy. Think Beatlemania with the screaming, crying, fainting, mobbing teenyboppers. Men, of course, don't do this. They think "Oh man, that dude is so f'ing cool, I want to be just like him and sleep with tons of sexy women and play mad guitar..." But girls, girls want to marry John and have Elvis shake his hips in their direction and shoot them one of those famous snarly smiles. Go beyond the screaming to the next level of fandom/obsession and peer into the bedroom of someone with posters all over the walls, figurines and albums littering all surfaces, a camera with a telescopic lens and a pair of night-vision goggles... That someone is a stalker. Stalking = bad kind of obsessing. As someone who has been followed home from an exam, I can tell you stalking does not make your stalkee want to hang out with you or, least of all, have sex with you. Shocking, I know.

Moving on, we've been having guest speakers in my Writing Portfolio class. Today, Western's current writer-in-residence Penn Kemp encouraged us to have obsessions. The fixation on something specific can lead to inspiration. She finds inspiration for much of her work (which includes a lot of perhaps strange, yet whimsical, poetry/sound concoctions) in those things that nag her and constantly swirl around in her mind. When you obsess over something you're likely to think about all kinds of aspects of that thing and delve deeper into it than you would a passing interest. More importantly, if you're obsessed it means you're passionate and what are writing and creativity without passion?

As I said, I'm very obsessive. I believe I suffer from what can only be described as Sudden On-set Obsession Syndrome. Perhaps this is a result of a short (albeit intense) attention span or technological induced ADD. But if this week of dreary academia has taught me anything, it's that I shouldn't be ashamed of my obsessions. This is in part due to my highly respected professor Norma Coates revealing her Sex & The City obsession. If obsessions can fuel my writing then I shall whole-heartedly embrace them, and I encourage you to do the same. Obsessions make for great party themes.

Redrum! Redrum!

The degree to which I don't care about school right now is shocking. Even with the impending clusterfuck of this week breathing it's rotting breath all over my rash-afflicted neck, I'm just totally unable to focus my attention on my notes. I just do not get this "studying" game with the re-reading of notes and articles. I don't want to do it anymore but I feel like I have to keep going until I sit down at my tiny desk and I'm handed that cursed white and blue exam booklet. I ended a phone conversation because I needed to get back to work but all I've managed to do is hit up Facebook. Uncool. However, I learned that fellow MIT-er and frequent classmate Liz Trinnear just made it to the Top 8 for the MuchMusic VJ search. Cool.

Ok, so while I attempt to return to the real world of studying and homework to write my Run Lola Run shot analysis, I will leave you with this video from the fabulous Peter Serafinowicz. This is kind of what my brain feels like right now. How appropriate that Ozzy Osbourne's Crazy Train just came up on my shuffle... iTunes is such a smartass. (P.S. I suggest watching the video on YouTube to get the full screen effect.)



P.P.S. Just so we're clear, it's pronounced "Red-rum" not "Re-drum." There's no percussion going on here. Not tonight, anyway.

Wish You Were Here

Peer over the edge
Can you see me?
Rivulets flow from your eyes
Paint runs from your mouth
Like a waterfall
And your lungs crystalize...

1,000 Hugs from 10,000 Lightning Bugs

Good evening, bloggers.

I'm pounding keys tonight, working on my Popular Music and Gender essay analyzing the differences in the way music press discusses music legends Janis Joplin and Jimi Hendrix. I have music on the brain, more so than usual, so I wanted to share my new favourite song with you.

Check out Fireflies by Owl City.
Hope you enjoy.


Electric Days and Acoustic Nights: Flight of the Conchords Edition

Sometimes it's difficult to tell people how you feel about them.
Sometimes it's difficult to put those feelings into words.

The tradition of love songs is older than I care to research, but perhaps in this postmodern age people aren't as willing (or comfortable) to make grandiose claims of climbing the highest mountain for the one they love. So the next time you feel like using song to tell someone how much you care, take a cue from Bret and just say it straight.

Electric Days and Acoustic Nights

I love when artists release acoustic tracks or acoustic versions of old songs. Here are a few that are floating around my head while enjoy the wind-down of another school year.

I recently picked up Metric's newest album Fantasies (which got me a free button and sticker, so I couldn't be happier), and I'm really enjoying it. I was happy to discover this acoustic version of Gimme Sympathy.

A bit of a throw-back, this live/acoustic performance by Paramore of Misery Business showcases Hayley's killer vocal skills.

In 2005 Matthew Good released In a Coma: 1995-2005, a collection of previously released songs as well as acoustic arrangements, a stand-out cover of Depeche Mode's Enjoy the Silence, and unreleased tracks. Rooms, the acoustic disc, is probably my favourite of the collection. While it's difficult to choose a favourite song (as I learned yesterday during a game of 'choose your favourite non-single from each Matt Good album' with Jess and Evan), my pick has to go to Tripoli.

There are numerous more examples, so perhaps there will be future editions of this post, but for now I'm going to end with a nod to the boys back home. Over the Easter weekend Apex did some recordings with Evan and released two new acoustic tracks: Two Words and Coincity.

Enjoy today's selection while you prepare for your exams, attempt to pack for your end-of-semester move, bake some muffins, take a bath, feed your cat, or what ever you're doing that makes you think, "By-golly, I sure could go for some tasty acoustics right now."

Mid-Week Mix-ed Bag

  1. I love that Discovery Channel commercial as much as I hate Nickelback.
  2. I had a dream the other night where Woody Allen was The Riddler. But I think he was an impostor. Because Elvis Costello was also The Riddler...
  3. Apparently everyone on the 2 Dundas starts at the same time as me on Wednesdays. So congrats, 10:30am Wednesday class. You're On Notice. I was waiting for 25 minutes for the bus. Like, three "full" buses passed me. And by the time I got picked up at 10:30 there were like 30 people waiting at my stop. Trust me, it had nothing to do with the sudden snow squalls. This happens every Wednesday.
  4. KH and I have decided to start a socio-political literary/arts magazine. More on that later.

Backwards, into a wall of fire

I've come to two conclusions today.

Uno: I really hate it when people eat a cup of pudding or yogurt by sucking the substance out of the top rather than using a spoon. Either bring a spoon with you or bring a snack that doesn't require you eating like a small child.

Dos: The infamous and sexy Hobo Matt (guy on campus who looks like Matt Good in his Strange Days video who I always see and brings me good luck) must actually have graduated for I have not seen his perfectly scruffy face yet this school year. I wonder if he realized how many times he saw me since we made eye contact so many times (due to my staring). He opened a door for me once. I felt compelled to tell him he resembled Hobo Matt but my small slice of sanity advised me against it. I like to think of his as "the one who got away."

Music is my safe drive home

It's 2, 3, 4am and I'm driving myself home along the route I know so well. Warkworth to Campbellford, Campbellford to Warkworth. County Road 29 to Highway 30. I must have travelled it hundreds of times. A passenger, a driver, a child, an adult. The grain silos, the house with the moose painted on one wall, the flea market, the golf course. I don't even pay them any attention now. Each curve and rise and fall of the road could be my own body.

Then one night, it snows.
A lot.

Nothing has changed, the route is the same, but now I fight to concentrate as the smallest drops and flakes compete for my limited attention. All I want to do is get home but I can only see the road directly in front of me and it's impossible to tell where the road ends and the shoulder (or ditch) begins. I'm quite certain I know what each rotation of the wheels will bring but the change in the weather is making me doubt my instincts.

I keep my eyes wide. I don't want to miss the warm and hazy orange glow that resides in the sky above the Warkworth Penitentiary. It means I'm halfway there. The traction control is supposed to help me. If one wheel is spinning out of control it keeps the other three gripping for stability. But the stabilizing pulls me in different directions and I don't want to move forward. I just want to stop. Take a break. Take a breath.

So I listen to music. I turn the volume up and I drive. The familiar synth lines of Depeche Mode will ease my anxiety. The pounding melodies and falsetto screams of Muse will energize me. Never underestimate the power of a well-constructed playlist.

Music is my temple.
Music is my drug fix. 
Music is my safe drive home...

Nicole, Peter and Evan Pull an Unnecessary All-Nighter

Good morning.
Yes, still awake.
I really have nothing to say.
I've already sent Jess about three emails.
Evan and I watched about two hours of Ricky Gervais stand-up.
And countless hours of questionable TV.
A Double Shot of Love, anyone?
Chips, Pepsi, sandwich meat, scrambled eggs.
People have started waking up for work.
Several friends have come and gone.
Peter is still here.
He came home from Ottawa around 4:30 this morning.
He brought Evan and I our pre-ordered and signed Matthew Good Live at Massey Hall CDs!
Rocks socks.
Apex concert tonight at CDHS.
See you there.
I guess I did have something to say.

It's all over now, baby blue

Year 3 Semester 1: LEVEL COMPLETED

Today I wrote my only exam.
So it's time to celebrate...or uh, relax or sleep or, what ever...
Check out this rad song by SugaRush Beat Company, yo!
I feel an obsession coming on.
Yeah, I heard it on Grey's Anatomy.
What of it?

The Do-It-Yourself Music Industry

Don Ross a guest speaker at Fanshawe? Good thing I had my trusty 2 Dundas bus schedule in my purse to take notes on! Hello A&E Journalism found story.

In the past few years, it has become apparent that the internet may be indie music’s best friend.  Big mainstream record labels are great, with their contracts, marketing resources, and high-tech studios.  But perfecting the fine art of self-promotion and -engineering is the smartest thing that any performer or writer can do during this age of technological obsession.  I mean, come on.  Don Ross is doing it.

I think for many people, the term “indie music” conjures up the sounds of folk-like plinking guitar melodies or soaring synth and keyboard lines played by 20-somethings in skinny jeans, skinny sweaters and skinny t-shirts in neon colours. 

With so many unique artists classified under the indie umbrella, the way most people think of indie music just doesn’t work.  The genre is indefinable now.  The term “indie” is simply shorthand for “independent,” and refers to an artist or group not signed to a major label, regardless of musical style.

How does 48-year-old Don Ross fit into this?  Wearing a plain black t-shirt and jeans, the Canadian fingerstyle guitarist gave an interview and performed three songs at Fanshawe College Friday afternoon.  I wouldn’t say Ross fits the image of a young hip indie musician, but after releasing nine albums for three major labels, he became an indie artist in the ‘90s and is signed with the independent online label Candyrat Records which specializes in virtuoso artists.  He’s familiar with the changing music industry.

According to Ross, there has never been a better time to be an indie artist.  All you need is YouTube, a MacBook Pro with Pro Tools, and a garage.  Or at least that’s what he uses. 

Downloading music for free from file sharing sites has become very popular and, rather than fighting the seemingly unstoppable trend, artists need to make the system work for them.  Yes, it’s a shame that so many people are less willing to pay for music now, but at the very least the downloading provides exposure.  Here’s where self-promotion through YouTube comes in.

I love YouTube.  It’s one of the things I miss most when I return home to dial-up internet.  If people can hear an artist’s music and see an artist’s unique style on YouTube, then the hope is that it will help that artist build a fan base.  Since it’s so easy to acquire music now, Ross says that live shows are the new Holy Grail of the music industry.  It was once records.  You use the internet to draw people in, get them buying tickets to your shows and, if you’re lucky, buying albums while they’re there! 

In the past year I’ve been privileged enough to see Bob Dylan in concert from the fifth row, and see The Spades, a young band from my home region, open for Matthew Good at the legendary Massey Hall.  Live shows are an undeniably unparalleled experience, and there’s always the possibility that the unknown opening band will become a new favourite.

Back to YouTube, 29-year-old American fingerstyle guitarist Andy McKee, Candyrat artist and friend to Ross, is a perfect example of its power.  Two years ago, McKee’s video for “Drifting” was featured on the site and has since been viewed almost 18 million times.  Sure, it’s no 26.3 million views in four months of Coldplay’s “Viva La Vida,” but I’d say that’s pretty good for an alternative indie artist!

The other big way artists set themselves apart from the masses and take control of their music is through self-engineering.  Here’s where that MacBook Pro you insisted you needed and your family’s unused garage come in.

Ross says the key to engineering your own music is having a good ear.  For all you artists graced with natural musical talent willing to put in the extra time, it’s a great alternative to paying techies to do it for you.  While fancy, expensive programs and equipment are helpful, if you have the musical and technical skills you can produce fairly high quality material with less extravagant equipment.

If I was an indie musician, I would probably be thinking, “That sounds pretty good, but are there any other benefits? I am, after all, a young starving artist with ever dwindling support from the Canadian government.” 

Good news.  In addition to having more creative control over your work, you can save money!  And in these times of financial crisis I think that’s something we can all high-five over.  Saving money is a staple of DIY projects and YouTube is, at least for now, free to use.

Do yourselves a favour, indie artists.  Take advantage of technology and the wonders of a DIY music industry.  And do everyone else a favour by providing videos with artistic merit so we aren’t stuck watching clips of people’s cats and 10-year-olds singing “I Kissed a Girl and I Liked It.”

Truly the Holiday Season

This is kind of old news but I just heard about it at breakfast with the girls this morning. So if you're also behind the times, check out this ultimate Rick Roll stunt RIGHT NOW. Cartoon Network FTW!

Jessica Davis, this is for you.
Happy Birthday baby!
xox

And then Depeche Mode cried

Time to add another (atrocious) song to the 00s pop sampling 80s classics list. 

89 Depeche Mode's Personal Jesus
08 Hilary Duff's Reach Out

81 Soft Cell's Tainted Love
06 Rihanna's SOS

Feel free to cry/scream/throw a vase. Or, enjoy?

Vatican wishes White Album 'Happy 40th'

From the Globe and Mail yesterday:

The Vatican's newspaper has finally forgiven John Lennon for declaring that the Beatles were more famous than Jesus Christ, calling the remark a “boast” by a young man grappling with sudden fame.

The comment by Lennon to a London newspaper in 1966 infuriated Christians, particularly in the United States, some of whom burned Beatles' albums in huge pyres.

Disney, you slut! You genius, genius slut...

Love or hate the Walt Disney Company, you must at least acknowledge its incredible, albeit frightening, influence and adaptability. It can be a business genius, moving its pawns about with a maniacal laugh. Or it can be a whore on the corner who will do anything to turn a trick (or rather, an illusion).

 

It was recently brought to my attention that to accompany the "Anniversary" or "Platinum" editions of its classic animated films, Disney has gotten its teeny-bopper arsenal of musicians to record covers and music videos of famous songs from the films. I believe "blasphemy" is the word you want. Ah, but wait! This whore of a marketing scheme is undeniably genius, no matter how cringe-worthy it feels. In doing this, Disney is further cementing itself as a key figure in children's understanding of history, society and culture by bringing old songs and films to the new generation.

 

THE OFFENDERS 

Watch. Be horrified. Try not to get sucked in.


The Jungle Book

I Wan'na Be Like You - The Jonas Brothers


The Little Mermaid

Kiss The Girl - Ashley Tisdale I don't think cheek counts

Poor Unfortunate Souls - The Jonas Brothers

 

101 Dalmatians

Cruella De Vil - Selena Gomez This may be the worst


Sleeping Beauty

Once Upon A Dream - Emily Osment

 

…Plus there are some promises of "All new songs and music videos… And much more!"

 

Pardon the bias. I'm currently writing a research essay on colonialism in Pocahontas and The Jungle Book. I am NOT enjoying it. I've probably seen Pocahontas once before and I'm adamant about not liking it. I think the songs are sub-par. But I have been finding it quite hilarious. Of course, not the parts that are supposed to be funny if you're taking the movie seriously. It also might be the only Disney movie where the main characters don't get together (or stay together) at the end of the movie. Pochy stands on mini Pride Rock as leaves swirl Cinderella-style down to Smith's ship where he waves at her the way the natives wave to say goodbye. Nothing short of epic, but a seemingly unprecedented finale in these princess love extravaganzas.

From Barack to Bob

This may be the most historically epic week I have ever experienced.

 

Last Tuesday I stood in my campus restaurant and bar The Wave with 350 of my fellow students and watched Barack Obama become the 44th President of the United States.

 

Tonight I stood in the fifth row at the John Labatt Centre with Sam, Stuart, and Ted and watched Bob Dylan perform.

 

I am overwhelmed by this sudden onslaught of amazing.

 

The average age at the concert was probably 45-50. The rows on the floor were close together and went right up to the stage so we were really close. Dylan was on tonight. He was smiling, laughing, kicking his feet and wiggling his shoulders around. Lots of glorious harmonica and he played guitar in one song, something he rarely does anymore. After a thank-you he even joked with the crowd while introducing his band at the end of the show.  "Am I unintelligible? C'mon, be honest!"


SETLIST

Cat's In The Well

Love Minus Zero/No Limit

The Levee's Gonna Break

Spirit On The Water

Stuck Inside of Mobile With The Memphis Blues Again

Masters of War

I'll Be Your Baby Tonight

John Brown

Beyond The Horizon

Highway 61 Revisited

Shooting Star

It's Alright, Ma (I'm Only Bleeding)

Under The Red Sky

Thunder On The Mountain

Ain't Talkin'

Like A Rolling Stone

All Along The Watchtower


I love you Bob Dylan.